Alice (in Wonderland)

Prologue
Alice daydreams as her family swirls around her chaotically. She is mesmerized by the mysterious and quirky Lewis Carroll, a family friend, who takes Alice on a boat ride and picnic in the country.

Down the Rabbit Hole
During their picnic, Lewis Carroll begins telling Alice an astounding story of a little girl’s adventures in a wonderland. As Alice drifts to sleep, a White Rabbit hops by. The nervous Rabbit checks his pocket watch because he’s late. He quickly leaps into a rabbit hole; Alice follows. She falls for what seems like miles. Alice lands with a thud in a hallway filled with closed doors. She drinks a potion and grows quite tall; she fans herself and shrinks quite small. Through a keyhole, the tiny Alice catches her first glimpse of the evil Queen of Hearts. When Alice eats a bit of cake and returns to normal size, she can no longer fit through the tiny door that leads to the wondrous world.

Pool of Tears and the Caucus Race
Frightened and confused, Alice cries a pool of tears.

The Dormouse swims by and befriends Alice. Then, a Dodo Bird, an Eaglet, and a flock of Flamingos plop into the pool. The Dodo Bird decides the best way to get everyone dry is to dance a Caucus Race.

Pig and Pepper
Alice comes upon a Fish footman who is delivering an invitation to the Queen of Hearts’ croquet game to the Frog footman who works for the Duchess. Inside the Duchess’ cottage, bedlam reigns. The Duchess is agitated because the Cook has put too much pepper into the soup.

The Cheshire Cat/Advice from a Caterpillar/The Mad Hatter’s Tea Party
While walking along, Alice comes upon a Cheshire Cat, who appears and disappears on a whim. Later when Alice looks up to the sky, she finds he has become the moon. She then meets a peculiar Caterpillar who smokes a hookah pipe before metamorphosing into a butterfly before her eyes. Next, Alice stumbles into a puzzling tea party with the Mad Hatter, the March Hare, and the Dormouse.

Queen’s Garden Party and Croquet Game
Card gardeners have accidentally planted white roses in the Queen’s garden. The Queen of Hearts only wishes to grow red roses. Fearing her wrath, they paint the roses red. The Queen’s court spills by, and Alice sees her friend the White Rabbit and the Queen’s Joker. Alice is invited by the Queen to play a very different game of croquet using Flamingo mallets and Hedgehogs as croquet balls. Blaming the Hedgehogs for losing the match, the Queen proclaims, “Off with their heads.” Alice saves the Hedgehogs, and the angry Queen chases her into the forest.

Tweedle Dum and Tweedle Dee and the Jabberwock
In the forest, Alice happens upon a Rocking-Horse-Fly, a Bread-and-Butterfly, and beautiful Snap-Dragon-Flies. Tweedle Dum and Tweedle Dee playfully argue as they pass by. Alice reflects on her amazing journey with the Cheshire Cat, the Mad Hatter, the White Rabbit, and the Tweedle Twins. The languid group is suddenly threatened by the ultimate danger: the Queen’s Jabberwock.

To protect her new friends, Alice slays the beast.

The Trial and Home Again
Back at the Queen’s palace, Alice is arrested and put on trial for her crime. Utter confusion breaks out in the court while the Queen shouts, “Off with her head.” Alice realizes the silliness of the Queen and her court and they fall like a house of cards. She awakens from her dream and finds herself at home.

I have always been intrigued by the circumstances surrounding the beginnings of Lewis Carroll’s creation of Alice’s Adventures in Wonderland (1865) and his subsequent book Through the Looking Glass and What Alice Found There (1871). Charles Lutwidge Dodgson (who later took on the nom de plume of Lewis Carroll) was an interesting fellow; mathematician, logician, Anglican deacon, and photographer, whose love of wordplay is evidenced throughout both books. He was a great friend of real-life Alice and her family, the Liddell’s. One rainy day, Dodgson took Alice and her twin sisters on a picnic at Folly Bridge near Oxford, England where they took a boat ride. It was on that ride that Dodgson began to spin the tall tale of a special girl named Alice, which he subsequently published as Alice’s Adventures in Wonderland.

I have chosen to create a prologue to this adaptation of Lewis Carroll’s work by presenting a fictionalized version of Alice Liddell and her odd-ball family members, who reappear as other characters throughout her journey in Wonderland: Alice’s overbearing mother becomes the Queen of Hearts; her hen-pecked father, the ineffectual King of Hearts; her kooky twin sisters, Tweedle Dee and Tweedle Dum; her narcoleptic Grandmother, the always sleeping Dormouse; her befuddled Grandfather, the perplexed March Hare; the nervous and rushed butler becomes the White Rabbit; and Lewis Carroll himself returns as the Mad Hatter. While I have followed the structure of the first book, some of my favorite elements from the second book such as Tweedle Dum and Tweedle Dee, the Jabberwocky, and others, make an appearance in the ballet.

On behalf of the army of passionate people who’ve created this production together, it’s an honor to share this special tale of a little girl and her amazing adventure with you.

– Septime Webre, Choreographer

Septime Webre is an internationally recognized ballet director, choreographer, and educator. He is the Artistic Director of the Hong Kong Ballet after 17 years as artistic director of The Washington Ballet from 1999-2016. Previously he served asaArtistic director of the American Repertory Ballet, based in Princeton, New Jersey from 1993-1999. In addition, Webre serves as the artistic director of Halcyon, a Washington DC-based foundation, launching an annual international Festival for Creativity in Washington DC in June 2018.

During Webre’s tenure at The Washington Ballet, the institution’s budget grew by 500%, and it enjoyed unprecedented advances in the scope and quality of its work on stage, in the size and reach of its professional school, and in the development of several far-reaching community engagement programmes, which he founded. Webre launched an array of artistic initiatives including The American Experience, which developed great works of literature into full-length ballets, including The Great Gatsby and Hemingway’s The Sun Also Rises among others.

As a choreographer, Webre’s works appear in the repertoires of ballet companies throughout North America, including Pacific Northwest Ballet, Les Grands Ballets Canadiens, Colorado Ballet, Ballet West, Atlanta Ballet, Cincinnati Ballet, Ballet Austin, Ballet Memphis, Milwaukee Ballet, Kansas City Ballet, Ballet Concierto de Puerto Rico, and many others, and he has worked frequently in theatre as well as opera. As a dancer, Webre was featured in solo and principal roles from the classical repertoire as well as in contemporary works by choreographers such as Twyla Tharp, Paul Taylor and Merce Cunningham. He has served on the juries of a number of international ballet competitions, including those in Varna, Bulgaria, Istanbul, Cape Town, New York, Seoul, and elsewhere. He has served on the board of Dance/USA and his work has received numerous honors, grants and awards. He holds a degree in History/Pre-Law from the University of Texas at Austin, and is the seventh son in a large, boisterous Cuban-American family.